I am self-motivated in my search and my influences are many. A welding trade, then attending UCOL SCHOOL of PHOTOGRAPHY, learning about history and its artists, the darkroom, developing film, design, marketing, presentation. Then 7 years later attended ELAM FINE ARTS at Auckland University, where my world was expanded exponentially, painting, drawing, printing, sculpture, moving image, philosophy, art history, research, experienced artists as teachers. Both of these schools gave me great confidence to expand on my interests 

 

My work was initially the challenge to emulate photographic artists I had or was studying, to learn from them about the varying aspects of light, how to use and understand my camera, composition and the rules of its structure, and positioning, that what creates perspectives.

I enjoy photographing people, places, forms, and abstraction, but my drawing and painting are much different, in a sense that my training is much less and my research also, but my process and my method are very similar. I think of drawing like photography, both are inspired by the same thing and both can make use of the same rules 

 

 

 

 

 

 

 

 

 

 

 

 

 

a line before it is a line is still a line, one first has to think............................................

 

OF DEVELOPING MY PRACTICE 

like form and shade, repetition and position, people and places, color and thought. 

like his mentors and their dedication to excellence, philosophy, with its ability to expand, and experience, that which builds upon itself. 

not the only world with such prizes, but different ones with different prices.

WOET EDWIN

art does cause change, on all levels in the individual and society 

when out photographing I must be ready at all times and at times ready because I predict something will happen and I need to be ready. That perspective changes the way I experience the world, taking chances and testing my abilities, sometimes it works and when it does, for instance, a picture is made more so by a set of circumstances I can control mixed in with ONes I can't

"SOMETHING INVISIBLE"

the familiar world does not provide the principles of its own explanation, which principles must, therefore, unless the world be wholly irrational, be sort for elsewhere PHILOSOPHIA PERENNIS

what it all means nobody knows, its all idea

ART OFFERS A GREAT POTENTIAL, THE POTENTIAL OF CONTEMPLATION BY BEING A COMPLETELY USELESS OBJECT     THE EMPTY VESSEL CAN BE FILLED WITH ANYTHING reminders of what we already know

like a hand mark, that proves we exist

Art the great chariot of idea,

like music that sees

MORE THAN ONE WORLD

today not the same as yesturday

debut

45 Queen Street Level One 

My work is in a process I call

The Found/Object/Idea

       A gentleman smoking a cig relaxing leaning thinking hat titled is passed in his imagination by a long-legged lady in a bell blue dress swinging a yellow bag in tune, to her step.

     

 The moon rising the landscape unrolling under its great potential, wheels turning music playing camera clicking. In the distance a cross, an ideology a place of worship approached, 100km/hr, camera clicking it would be close and I wasn't stopping, if it was meant to be, it would.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ideas are objects

and objects ideas

found

COVID -19 2020 images torn time until time was not fragmented documentaries movies peering at the world from inside people community gardening earth gets its first holiday since the industrial revolution heal sadness question obligation a levelness proceeds

Noise all around, my mind a stir, streets no longer empty, man returns to his machine, devouring mountains 

Thought  of Cloud

 

2020 WOET EDWIN COVID-19 

Title: Point to point on a trajectory into   space exploration

Sculpture Items

Plinth X Alexandria Egyptian 

Glass box and Mirror 

White Rabbit Hand Painted 

Porcelain Carrot

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